![]() By its beauty the pot marks theĬentre of the painting. She is filling her pipe with colour from a brilliantly painted and Loincloth covering only the upper part of her thighs below her waist. The central figures in the upper register are the golden hued RadhaĪnd the blue-bodied Krishna, and in the lower, besides a white cow –Īn essential aspect of Krishna’s imagery, there is a Gopi in short Plants and virtually in conceiving the overall background. Hair-dressing, dramatized form of the cows, modeling of vesselsĬontaining colour-solutions and ‘gulal’ – coloured powder sprinkled onįaces while celebrating the festival of Holi, style of trees and Style of apparels – colours, prints and mode of wearing, ornaments and Gopis, anatomy with extra tall figures, especially of women folk, Necks and typical eye-brows, Krishna’s body-colour, multi-complexioned Iconography: large eye-balls with miniaturised black portion, angularįaces, pointed noses with arching central part, cheeks merging with The painting hasīeen rendered using the characteristic Oriya art idiom in the figures’ Targeting Krishna by her pipe and assisting Radha. The Gopis themselves discharging colour from her pipe on one who is Has a team of Gopis but Krishna has none except perhaps one from among The painting has used a fine textile-length ofĬotton blended with silk giving it lustre and smooth surface. Painting on cloth, represents Radha and Krishna playing Holi in the This colourful cloth painting from Orissa, known as ‘pata-chitra’ – ![]()
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